Statement of Intent

Laser cut acrylic layered over embossed polyester suede

Interlinking geometrics is based on architecture with a focus on contemporary structures. A trip to Birmingham inspired the initial creation of the collection by photographing modern buildings. Birmingham library and the Bull Ring shopping centre were captivating by their bold unconventional construction and repeat geometry.  This enthusiasm for geometry carried through to a trip to Paris where The Louvre, Centre Pompidou, Foundation Louis Vuitton and Forum des Halles shopping centre were great inspirational resources. The collection celebrates the infrastructure of these buildings through clean lines and repeat geometric shapes found within the buildings.

A variety of methods and techniques have been applied to create Interlinking geometrics including digital print, UV print, laser cut and embossing.

Building layers of fabric creates a new surface dimension meaning a contrast of texture can be created adding a new level of tactile interest. This concept was expanded on by laser cutting different materials and combing them to one to create juxtaposition yet coherent pieces. This resulted in combining plastic with polyester.

Experimentation with polyester suede led to an exciting discovery which consisted of using the laser cutter to burn through the fabric leaving a mesh effect surface that could bond layers of the fabric together.  Further experimentation lead to combining different colours of this material to create different depths and colour of the mesh whilst designing patterns to enhance the mesh effect.  

Playing with these geometric forms found within personal photography of Paris has been developed by sublimation and UV print onto polyester canvas and plastic. To add vibrancy and a playful edge a colour palette consisting of shades of grey, black, white, orange and blue have been selected. The monochrome tones reference the colours of buildings and construction however pops of orange and blue add an element of fun, bringing life to the designs.   

Cutting and layering plastic has created a three dimensional element to patterning, enhancing tactility and the ‘urge to touch’. Cut out geometry plays with light and dark, casting shadows whilst light bounces and reflects off the surface adding a playful interactive dimension to the design.

The collection caters for commercial interiors such as offices. The designs lend themselves to being categorised as textile art however still have functional properties. Digital print and embossed polyester can be used for upholstery and soft furnishes. Laser cut acrylic can be used to create privacy and divide spaces within office buildings in the form of screens and wall panels. This allows employees to enjoy the freedom of an open plan work setting whilst having their own personal space; making a comfortable working environment.  A decorative feature of the collection is that it can be utilised to create bespoke features of art to bring character and stimulate creative energy in a functional environment.

Since specialising in print, previous skills have been developed whilst gaining new skills, such as digital manipulation using Illustrator, Photoshop and Ethos. Using these resources has enabled a change in design perception therefore more risks have been taken, challenging the possibilities of materials. Thus pushing a designer’s ability allowing the body of work to grow and refine. Appreciation for modern technology has opened and inspired to pursue opportunities in using other technological equipment, including being self-sufficient using a laser cutter machine to emboss and cut through a variety of different materials.  Technology is continuously advancing, utilising digital equipment in textiles is vital because it is widely used within the industry. Mastering the software employed in digital design places print designers in a strong position to gain work.